Review
Iranian House Style
Here come the Makhmalbafs. Are they geniuses or is it down to dad, asks Hannah McGill
Iranian House Style - Feature Article
Sight & Sound April 2004
The land without a face
The Guardian
11 Augest 2001
Geoffrey Macnab
Terrible things go on in Afghanistan - everyone knows it. So why is Mohsen Makhmalbaf one of the few film-makers to tackle the subject? Below, the director talks to Geoffrey Macnab; bottom, an extract from his Afghan memoir
Review: Outrun Fate? Not for Iranian Women
The New York Times
March 24, 2001
By STEPHEN HOLDEN
The Day I Became A Woman (2000)
FILM FESTIVAL REVIEW; Outrun Fate? Not for Iranian Women
Keep it in the Family
The Guardian
10 December 2000
The Makhmalbaf Family
Le Monde Newspaper
France
By: Agnes Devictor
The Worldview of A MOMENT OF INNOCENCE
Part of the Book: Salam Cinema (Films of Makhmalbaf Family)
Written by: KIM Ji-Seok
A Cinematic Gem:
The Worldview of A Moment of Innocence
The Makhmalbaf Family: Opening New Doors
Part of the Book: Salam Cinema (Films of Makhmalbaf Family)
Written by: KIM Ji-Seok
The Makhmalbaf Family : Opening New Doors
Review: The Day I Became A Woman
Chicago Tribune
October 2000
The Day I became a Woman, Review
Modest in appearance and manner, filmmaker Marziyeh Meshkini hardly presents the picture of a radical. "I am not a revolutionary," she says firmly.
But her very existenc as one of less than ten female directors in
Iran and the bold subject matter of her first film, The Day I Became a Woman, suggest
otherwise. Meshkini explicitly examines the effects of culture and tradition